These books are incredibly good. They are intricate, thrilling, gory, and yet have a depth to them that can often be lacking in crime thrillers. Possibly the weakest part of the book is the title (in it's original language, the book was titled the far more apt "Men who hate women").
Throughout the trilogy there are many literary references that have spurred me on to try authors I had not yet read, or indeed in some cases, had not even heard of. A very rewarding one has been Sara Paretsky, a crime novelist who also favours a strong female loner for her main character.
On doing a little more research I discovered that there were plans for as many as 10 more books in the Lisbeth Salander series, and it seems that the loss of Larsson may well be a profound loss to the literary world (he was named the second best-selling author in the world in 2008)
I also discovered that Larsson never married his longterm partner, meaning that at the time of his (untimely) death, she was not named in his long-outdated will. And because they had never married, she was left with nothing. Yet they never married because (apparently) in Sweden, if you marry, you are obliged to publish your address, and due to the nature of Larsson's work, this was not a very good idea.
Both this fact, finding out the original title, and Larsson's sudden death have all combined to deepen the appeal of the Millenium trilogy. It struck me that by giving this additional context to the book, many aspects of the Sweden that is represented seem darker, and events of the novels all the more tragic.
It's funny what little things can do for the understanding of the whole.
No comments:
Post a Comment